Sunday, March 9, 2008

Review of the Josh Groban CD Closer

1 Josh Groban has released him most recent album entitled Closer.

Josh Groban has been a heavy hitter in the Pop genre for quite a while now and Closer is an excellent illustration as to why.

Pop music fans will recognize some of the well known guests that have been assembled to play along with Groban on several of the tracks. Artists like Dean Parks and Michael Thompson just to name a couple.

Listen to this CD and I believe you’ll find there's not much to dis-like about it. The songs are inspired, the production is simply outstanding, and Josh Groban is clearly in top form. So much so that if you're even mildly into Pop music you'll enjoy this album.

While the entire album is really very good some of my favorites are track 5 - When You Say You Love Me, track 10 - Remember When It Rained, and track 13 - Never Let Go

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Oceano. It’s a great track!

Closer Release Notes:

Josh Groban originally released Closer on November 11, 2003 on the Warner Bros. Records label.

CD Track List Follows:

1. Oceano 2. My Confession 3. Mi Mancherai (Il Postino) - (featuring Joshua Bell) 4. Si Volvieras A Mi 5. When You Say You Love Me 6. Per Te 7. All Improvviso Amore 8. Broken Vow 9. Caruso 10. Remember When It Rained 11. Hymne A L'Amour 12. You Raise Me Up 13. Never Let Go - (with Deep Forest)

Closer Album Notes Personnel includes: Josh Groban (vocals); Leo Z. (piano, keyboards, programming, background vocals); Angie Passerella (acoustic & Classical guitars); Dean Parks, Ramon Stagnaro, Michael Thompson (guitar); Joshua Bell (violin); Devis Mariotti (flute, whistle, background vocals); Eric Rigler (Uillean pipes); David Foster (piano); Mark Hammond (keyboards, programming); David Fall (drums); Raphael Padila (percussion); Jochem Van Der Saag (programming); Richard Page, Andrea Sandri (background vocals); Deep Forest.

Producers: David Foster, Walter Afanasieff, Leo Z., Mauro Malavasi, Eric Mouquet.

Recorded at Chartmaker Studios, Malibu, California.

Monday, March 3, 2008

Buying A Guitar - Do You Know What To Look For?

447800922_cca705b9a4_m Buying a guitar is an important decision that my students have often asked me about. They want to know what they should be looking for. This is an important question because no two are ever exactly alike. There is a wide variety of types, styles, colors, makes, and models to choose from. The question is, which one is right for you? If you don't know what to look for when you're buying a guitar, you could end up spending a lot more money than you really need to. On the other hand, getting a "deal" may also get you a lemon. Following are some important questions to consider.

1. What style of music are you interested in playing?

The basic skills required when learning to play are the same regardless of the style of music you may be interested in. However, you should understand when you are thinking of buying a guitar, that some are more suited for a particular style than others. Getting started in the right direction can help you to avoid costly mistakes. Do you like Rock'n Roll, Jazz, Bluegrass, or Classical music? Considering your own personal tastes can help you to determine whether to buy an electric or an acoustic guitar for example.

2. Are you a beginner, intermediate, or advanced guitarist?

When buying a guitar for beginners I usually recommend a nylon stringed acoustic or an electric, as they will be the easiest on the fingers. However, students with small hands may find the wider neck of a classical guitar hard to play because of the reach involved. Something to consider in this case is a 1/2 or 3/4 size. Musical style, personal preference, quality and price are the key determining factors to consider when buying a guitar for intermediate and advanced players.

3. What is the tonal quality of the instrument?

Tonal quality refers to the unique sound of each individual guitar. When you strum the strings or listen to it being played what do you hear? Does it sound deep, bright, soft, dull, tinny? The instrument should resonate (transmit the full vibrating quality of it's sound) clearly.

4. How is the action?

The action is simply how high or low the strings are set on the fretboard. This will greatly affect the playability. If the strings are set too high they will be difficult to push down and you will be working harder than necessary to play the instrument. On the other hand, if the strings are set too low they will likely interfere with the frets, which may cause a buzzing sound as you play.You should check each fret thoroughly before buying a guitar. This can be done by using the first finger of your left hand to play each string at every fret up and down the neck. Do you here any buzzes? Does the guitar sound in tune at every point? Is it easy to push the string down? If you are unsure about doing this, then try to take someone who plays guitar along with you as you shop.

5. Is the neck straight?

If the neck is straight the intonation will be consistent. This means that when a specific note or chord is played at different points along the neck it will remain in tune. If the note or chord sounds out of tune at different points, then the neck may be crooked or warped. You can check the neck by looking along it's edge. Begin from the base of the body and continue on up to the base of the head. You should see a straight line. If you don't, the neck may be bowed, twisted, or warped.

6. How does the neck feel in your hand?

Necks come in a variety of shapes and sizes, so you will need to determine what feels comfortable to you. Some necks are round and some have a v-shape angle to them. When you cradle the neck in your hand be aware of the fit. Thin necks tend to be easier for small hands, but are generally not as strong as heavier ones. For example, a 12-string guitar will have a heavier neck than a 6-string. Buying a guitar that is the wrong size for your hand can be a factor in developing carpal tunnel syndrome.

7. What are you willing to spend?

If you're just starting out, you really shouldn't need to spend a lot of money when buying a guitar. Knowing what your budget will allow can help to speed up the process though. If you only have $200 to spend, don't waste time looking at more expensive models. You can always upgrade later after you've had sufficient time to explore your musical interests. I personally own 9 or 10 guitars and there is always room for one more! Be realistic about your own needs and keep these questions in mind as you shop. Better yet, print them out and take them with you! Be sure to read 10 BEST GUITAR BUYING TIPS on my website to find even more help in this area. Happy Hunting!

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Kathy Unruh is a singer/songwriter and webmaster of ABC Learn Guitar. She has been writing songs and providing guitar lessons to students of all ages for over 20 years. For free guitar lessons, plus tips and resources on songwriting, recording and creating a music career, please visit: http://www.abclearnguitar.com

Trusting Your Inner Voice - Key to Success at the Piano

1430507943_581125a6c5_m We all have so many critical voices in our heads.

Telling us what's good, what's not, and what should be. We must stop the criticism if we are to play the music that is inside of us - but how? How do we turn off the inner critic and start to trust our inner voice? By listening to it. Most of us are taught not to trust our initial impulses, but it is these innocent prodding's that bring authenticity in our improvisations and musings at the piano.

To deny these impulses is to deny yourself of what is truly rich and necessary for creating a music that is full of both joy and longing. Combine these two and you have the secret duality that is in the best of music. It's something you can recognize immediately yet it's hard to put your finger on exactly what causes it. It's a combination of sadness and joy. Cast everything aside. What you want is not important and will hinder your ability to hear the inner voice.

Whenever you want to create something you set yourself up because you block that small inner voice that says. "Let me go where I will." Your ego may think it won't be happy with the results. Your ego wants people to say "Ah what a great job you're doing. You really can play well." These comments can set you up to think that you are really great. This is false gratification and, contrary to opinion, not healthy self-esteem.

Puff yourself up all you want, but if you want to really feel the connection between you and the music, you will have to abandon what you want and, instead, let your inner voice decide. It may not be the kind of music that will get you on American Idol, but it will be the kind of music that will get you to a special place few can know - that place where you disappear and the music appears out of thin air. The feeling you will get from this will far surpass any kind of ego gratification that may come from fame or fortune.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

Top 7 Donts for Successful Improvisation

152963392_55e6992d9c_m 1. Don't try and make something happen. Trying blocks the creative flow and will result in blocks.

2. Don't expect to create something good. Expectations will always come with judgements and, consequently, you'll end up feeling let down.

3. Don't worry about what is "coming out." Improvisation is about play and freedom to explore. Abandon unrealistic expectations and experience the joy of improvisation.

4. Don't try and please others. The first person you must please is yourself. This may seem obvious but don't underestimate the strong need to please - ESPECIALLY WHEN IT COMES TO THE ARTS!

5. Don't try and accumulate a "lot of knowledge." All it takes to improvise is a few chords and the proper attitude.

6. Don't think. Improvisation is about FEELING. It's about being in the moment and experiencing the moment through the music. Thinking will take you away from your intuition, which will guide you if you listen to it. Intuition will lead you places thinking never could!

7. Don't quit. Practice is what makes intuition stronger. The more you practice or play, the stronger your intuition will grow and the more you will trust it. Your unique voice will emerge and will grow stronger each time you sit down to play.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!